Frazetta in1953
|
|
Frazetta was born and raised in Brooklyn,
New York. At the age of eight, at the insistence of his school teachers,
Frazetta's parents enrolled him in the Brooklyn Acadamy of Fine Arts. He
attended the academy for eight years under the tutelage of Michele Falanga, an
award winning Italian fine artist. Falanga was struck by Frazetta's significant talent. Frazetta's
abilities flourished under Falanga, who dreamed of sending Frazetta to Europe,
at his own expense, to further his studies. Unfortunately, Falanga died
suddenly in 1944 and with him, his dream. As the school closed about a year after Falanga's
passing, Frazetta was forced to find work to earn a living.
Now sixteen, Frazetta started writing comic
books that varied in themes: westerns, fantasy, mysteries, histories and other contemporary themes. During this period he turned down job offers
from comic giants such as Walt Disney.
Through the work on the Buck Rogers covers for Famous Funnies, Frazetta started working with Al Capp and his
Li'l Abner strip. Frazetta's work for Capp focussed mostly on the Johnny
Comet daily strip, but also filled in for Capp from time to time. After
nine years with Capp, Frazetta returned to regular comics. Having emulated
Capp's style for so long, Frazetta's own work during this period looked a bit
awkward as his own style struggled to re-emerge.
Work in comics for Frazetta was hard to find, however. Comics had changed
during his period with Capp and his style was deemed antiquated. Eventually he
joined Playboy
magazine doing the parody strip Li'l Annie Fannie.
By 1964, Frazetta started producing paintings for paperback editions of adventure
books. His first cover for the pulp fiction novel Conan
the Barbarian caused a sensation - numerous people bought the book for its cover alone. From this point on, Frazetta's work was in great demand.
During this period he also did covers for other paperback editions of classic Edgar Rice Burroughs books, such as those from the Tarzan
and Barsoom (John Carter of Mars) series. He also did several pen and ink illustrations for many of these books.
Since this time, most of Frazetta's work has been commercial in nature,
providing paintings and illustrations from things such as movie posters to
book jackets to calendars. Many of his paintings are un-commissioned but have
nonetheless become highly sought after commercially. Frazetta's work has long been admired by many Hollywood
personalities. Clint Eastwood and George Lucas - fans and friends of Frazetta's
- have commissioned works from him
for some of their movie projects. Once he secured a reputation, movie studios started trying to lure him to
work on animated movies. Most, however, would give him participation in name only
- most of
the creative control would be held by others. Finally in the early 1980s a movie deal was offered which would give him most creative control. Frazetta
worked with well-known animated movie producer Ralph Bakshi on the feature Fire and Ice released in 1983.
Many of the characters and most of the story were Frazetta's creations. The
movie proved to be a commercial disappointment, however, as Frazetta's
fantastic imagery could not be sufficiently reproduced via then-current
animation technology and methods. Frazetta soon returned to his roots in
painting and pen and ink illustrations.
Today, Frazetta's work is so highly regarded that even incomplete pencil
sketches of his sell for thousands of dollars. Frazetta's primary commercial works are in oil,
but he is also a master with watercolour,
ink and pencil alone.
|
