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Born in 1971 in Glasgow, Scotland, Marcus Gray was brought up on a rich diet of
Sci-fi TV, films and comics. Self taught, his first proper paintings were with
the airbrush in commercial art and he also worked as a graphic designer for
several years. A turning point came in 1992. Whilst browsing a bookshop, he
discovered the work of Alphonse Mucha. Inspired by Mucha, he started his first
"girlie" pictures and quickly established a "retro
futuristic" style of his own. His work has been published in several fetish
magazines, including Skin Two. He also writes and draws his own erotic comics.
Marcus Gray on Technique, Influences and Latex:
"People ask how I Achieve the results that appear in my works. Most of
my art is done in Gouache and colour pencil. Gouache can be applied thickly for
background tones or progressively layered as light washes which I do to create
flesh tones. The combination of further light washes and colour pencil builds up
the final modelling on the figure work. I use a rough water-colour paper that
can lend itself to dry brushing and in creating other interesting textural
qualities. I also sometimes use gold leaf and indian ink."
"Recently I've started using gold leaf mostly because I adore the
breathtaking work of Gustav Klimt. Other
artists I greatly admire are Olivia De Berardinis and Hajime Sorayama, Alphonse
Mucha, Aubrey Beardsley, George Petty, Syd Mead, Lebbeus Woods, Dave Stevens,
Hugh Ferriss, Masamune Shirow and Jean Giraud (Moebius)."
"I
want to express the experience of what it is for a woman to wear latex, feel
aroused, feel sensual, dangerous and beautiful. These women know the power of
their sexuality and the profound effect it has over men."
"There's
darkness and light, pleasure and pain in everyone's life. It's all about
creating a powerful balance of these qualities that defines for me the essence
of beauty."
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